Being a Better Writer: Ending Type Variety and Planning Ahead

I apologize for the lateness of this post. Despite not having work at my part-time due to a knee injury yesterday, this post ended up so long (my longest yet) that it wasn’t done in time to post.

Man, it feels like I’ve been writing about endings a lot lately, at least to me personally. Maybe that’s just because that topic sticks in my mind fairly vividly. Or maybe I’ve been covering endings too much lately and you’d all rather here me talk about something else. In which case, let me know in the comments! After all, there is Topic List X coming (currently I’m on IX)!

Right, no beating around the bush today. I want to dive right in. Let’s talk ending types.

Okay, some of you might be scratching your heads at this one. After all, an ending is an ending, right? I’ve talked about endings before. What more could I have to say?

Well, as it turns out, a bit. Because as I’ve said before in another post, endings are a bit like a keystone: Everything moves toward them. Every story has to have one. Or, again as I’ve said before, the whole thing falls apart.

But there is something I’ve not talked about with regards to these endings yet: What type of ending you want to have. Or, to put it another way, the various ways you can close your story based on what you expect to make of it at a later date.

Yes, today we will be talking about sequels. And lack of sequels, though neither of those is the total topic. No, we’re still going to be talking endings. Just the different kinds of endings your story can have to make those work or not work.

Or perhaps “endings” isn’t the best way to put it. After all, many people tend to use terms like “the ending scene” or the like to talk about a climatic battle, rather than the actual ending. So perhaps I should say “conclusion,” or maybe “resolution,” and frame our discussion in terms of that. Or maybe even “approach.”

Why? Because again, as I’ve said before, everything in your story points toward the ending. The conclusion. So the type of conclusion you want your story to have? Well, it’s better if you know going in so that you can adjust the rest of your story to fit. Know which one you’re going to want to pull out of your writer’s toolbox to frame the rest of the story. Just like keystones can be in varying shapes and sizes, so can endings.

A minor note here: What I’ll be talking about today is somewhat flexible. More than one story has been written with one type of conclusion in mind only to deliver another, and while yes, this does affect how the story is received … it’s not the end of the world. It’s a bit like having … oh, a keystone that isn’t cut quite right but still does its job when slotted into place. It might not fit perfectly, and the top might be a little uneven … but it still does its job. However, much like a paving stone that is raised or lowered slightly above or below that of its fellows, it still may feel odd to the pedestrian, and the discrepancy will likely be noted. If you’d like an example of this, think of any movie or book that in the last moments made a sudden sweep into sequel territory. Makes you stumble a bit, doesn’t it? Even if it doesn’t necessarily not make the rest of the story worth it.

Point being, today’s topic is very much a question of making everything line up right. If you happen to swap ending “types” at the last minute, well, your story isn’t going to come apart. Not in this context, anyway. But if you know beforehand what you want, you can lay the groundwork of the story much more carefully so that everything lines up nice and neat at the end.

Got it? We’re talking about types of conclusions you can make your story work toward. Types of endings, in other words, you’ll see in various media, and when and how to make them work, or what you’d need to do to pull that off.

So, preamble done, let’s start with the most basic type of ending.

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Being a Better Writer: Order of Operations

Hello again, readers, and welcome to yet another Being a Better Writer post with an ominous, math-based title!

I know, I know. Forty percent of you clicked away after reading that sentence. Another fifty percent didn’t make it past seeing the title. And the twenty percent that are left? They know what’s wrong with that last statement.

Actually, if you’re quick on the uptake, you might have realized that there’s more than one error in that last paragraph. The first most probably spotted, but the second …? Well, it has to do with our title, which means that this is as good a point as any to dive right in and get into things.

So, let’s go ahead and start then. Except … unlike normal, I actually want to start today with a bit of a hands-on moment. A writing prompt, if you will. You may have noticed that there’s a scenic picture below. See it? You might need to hit the jump. Anyway, it’s a picture of the Kennecott Copper Mine ghost town in Alaska. This particular picture was shared to Reddit, IIRC, so hopefully it’s all right to use it here. I didn’t take it, is what I’m saying, and the goal here is to use it for educational purposes. You can click on it to see it in all its glory (which I recommend).

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Being a Better Writer: Getting in the Zone

Welcome back, all, to another Monday! I’ve got to type fast with this post, as I’ve got another shift at my part-time today. This time, it’s in the afternoon rather than the morning, however, so as long as I keep my fingers moving, you’re getting a Monday post! Really quick, however, before I get started: some quick news updates!

Jungle is currently sitting at about 190,000 words (check the “Current Projects” page) and is over 50% done! The only part that saddens me about this is how long it has taken me—now I fully see the effect of working part time and trying to write a book: I just don’t have the same amount of time. I’ve been cutting back personal time, however, and gotten my monthly goals back on a somewhat reduced track … but it still sucks, because I’d really like to finish up Jungle and get started on the editing for Shadow of an Empire so that I can get that out by the end of the year. Granted, I could just stop writing massive epics … but what’s the fun in that?

Discord Day Care, meanwhile, is almost ready to go up. I’m going through the last stages of Beta right now, giving it the final polishing touches. That just leaves me with a cover to find, and to get it all uploaded and ready to post. The publishing schedule for the story, I have decided, will follow the timeline of the story itself. Each chapter will be published as it occurs in the story, in real-time. The only thing that won’t match up will be the dates. I debated back and forth about the best way to do this, but concluded that for Day Care, a publishing schedule like this one should work best. So be excited, it’s almost here at last!

Just a bit more, I promise, then we’ll dive into this week’s topic. First, last month’s Patreon supporter post was a pretty in-depth look back on the origins of my first book, One Drink. It’s something I’ve meant to do for a while now, and yes, for those of you supporting me on Patreon, you can expect in-depth retrospectives on each of my other works to make their way to you as time moves on. Those of you who are not Patreon supporters, it’s only a $1-pledge to become one, and you’ll get access to some behind-the-scenes stuff and previews. Plus, you get the satisfaction that your dollar helps support content like Being a Better Writer!

Now, last, I swear, and then we’ll be on topic: The Rolling Sale. No defined date on this one yet. I’m still working out some details. But the general idea is that it will be a month-long or so event, starting with One Drink and stretching up to Colony. The general idea will be that the first title in the chain will go on sale, alongside an announcement of tiers for the next sale. The more copies go out, the deeper the discount on the next book in the chain. Ditto for when the sale shifts to that title. Kind of a “the more people take advantage of this, the better it gets for everyone” angle.

Right, that’s all the news. Now on to today’s topic: getting in the zone.

So I’m fairly certain that some of you may be scratching your head over this title … and that’s partially my fault. After all, there are a lot of “zones” authors tend to get into when writing. There’s getting in the character’s heads. There’s getting into the world so it feels like we’re living and breathing it. And there’s even just hitting our stride and typing out endless chains of smooth sentences that come together to build the perfect paragraph. Technically, there are a lot of zones in writing.

But today, I’ve going to talk about the most general ones. This is, actually, a requested topic from a reader who wanted a bit of advice on this matter. I don’t recall their exact, word-for-word question, but it went a little something like this: When you sit down in the morning and get ready to write, how do you get yourself into the mindset to write? How do you clear your head? How do you pull yourself away from the rest of the world and immerse yourself in whatever fantastical world you’re putting together?

And … the truth is, this time, that there’s actually a magic bullet.

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Being a Better Writer: The Keystone

Welcome back readers! As you may have guessed from this posting date, I had another Monday shift at my part time, hence why you’re getting this today (I’m at the moment writing it up during the early evening of the 22nd, so you’re reading this in what would technically be the future). Nothing too unusual there.

So, let’s dive right into today’s topic, shall we? I really don’t feel like beating around the bush; but rather I’d prefer to just get down to it. Today’s topic comes from … well, it comes from a number of sources, actually. Listening to other authors talk about writing, certainly. Reading a few books and whatnot over the last few weeks. And just following various forums about writing online. Toss all those things into my head, and let simmer for a few hours, and this post and topic is what came from it.

First question: Are you familiar with what a keystone is? You might remember this from your history classes, particularly if they covered the Roman Empire. A keystone was, well, the key to constructing those awesome Roman arches ancient tourists would see everywhere in Rome. And modern tourist still can see in the same places, 3000 years later. You know the shape—the classic pillars with the half-circle on the top?

This design was the one of many things that took Rome to stardom and made them the most influential empire in the world (so influential that many today still underestimate exactly how much of our day-to-day society was shaped by them). It enabled Rome to build bigger, grander, more spacious structure than anyone that had come before them.

So yeah, kind of a big deal. But how did it work? And what does it have to do with writing?

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Being a Better Writer: Keeping Things Moving and in Context

So this last weekend I came to a conclusion. I’d spent the week writing, as usual, working on the first draft of Jungle (you know, that sequel to that Colony book everyone keeps talking about), but between being sick and low on sleep (said sickness really, really wanted me to sleep), something just wasn’t clicking. Something about the chapter I was working on, even when I finished it, felt off.

I spent my Saturday thinking about it. Running things over in my mind. Thinking about what critical plot elements the chapter introduced, how it did so, what the characters did when interacting, etc. And finally, I reached an important conclusion: The chapter wasn’t working because it was dragging. It was a slog. And it had to go.

Said chapter is now marked for deletion and rewrite. Actually, rewrite isn’t even the right term. Summation is more accurate. Because, I realized as I was thinking about it, everything that happens in that chapter could also be told in a different chapter in half the time, at a later point in the story, when there is, to put it plainly, more going on.

The chapter I’d written was dragging. It wasn’t keeping the story moving.

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Being a Better Writer: References and Pop Culture

Hello readers, and welcome back to another post of Being a Better Writer, coming to you bright and early this Tuesday morning.

Yeah, Tuesday. Mondays shifts at my part-time job again. Just a fair heads-up, I’ve got a Monday shift next week too, so next week’s BaBW post will also  be delayed. It happens. And I need the money, so …

Oh, and I apologize in advance if this post seems a little scatter-brained. I’ve not been sleeping well lately, and that’s probably had a detrimental effect on my writing.

Right. Back to the topic at hand. Which is a request topic from one of you readers! And an interesting one at that, one I wouldn’t have likely come to on my own. See, this reader asked after right and wrong ways to do pop-culture references in a book. And while yes, there is a right way and a wrong way to go about this … it’s not a topic I would have thought to discuss until it was posed!

This is why reader questions are always good to hear. Sometimes there’s just a topic I wouldn’t have ever considered on my own, but someone else has. And in this case, it’s a topic that’s worth talking about.

So, references and pop culture … Where do we start? Well, how about some definitions and clarifications for those who aren’t quite certain what I mean when I talk about these terms?

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Being a Better Writer: Politics

Oh dear, what have I done? Why did I ever even write this topic down? What was I thinking? And then I picked it?

Actually, it’s not that bad. Some of you readers may have had similar reactions to seeing this topic, considering what it could discuss … and let’s be honest, that is a topic I could discuss, and likely will at another time.

Just not today. No, today’s topic of politics isn’t going to be involved with the real-world, thankfully (because that’s a mess). No, instead I want to talk about the politics in your book. No, not those “social politics” of the theme and whatnot. Not that at all. That’s the other topic, the one most of us dread because it’s so overblown these days.

No, I want to talk about the political sphere of your story. The politics in your story, that the characters are part of. Not the reader.

Now, because I’ve seen this topic broached before at conventions, writing classes, and the like, I can imagine what the average response is to this topic. Either a confused expression (fairly common) or a deadpan,  bored look coupled with the thought “Well, my book doesn’t involve politics or anything like that, so I’m just going to zone out” (which is equally common, in my experience). But … you’re wrong. If you’re thinking that right now, you’re wrong. And here’s why.

Almost every story, no matter the subject, will involve politics of some kind. In some way, from some angle. Politics will be there.

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